Jasper Nathaniel, an independent journalist who filmed the attack, describes the significant increase in West Bank violence ...
In his sweeping new novel, “The Brightness,” Chad Harbach studies the crisis of being a college student in 2015—and of being ...
For the cover of the October 26, 2026, New Yorker Festival Issue, the artist Mark Ulriksen painted a joyous image of Mikal ...
They power our phones, cars, dishwashers—and the A.I. systems that prop up the economy. They’re also at the heart of fierce ...
Alarm about declining interest in books is perpetual. But, as bookselling reaches unexpected heights, James Daunt, the chief ...
Wanda the Donkey regularly steals the show at the Met’s most popular production, “La Bohème.” Here’s an inside look at her ...
The viral “Hotel Lobby” meme, which lets users inhabit the bodies of Quavo and Takeoff using A.I., resembles a kind of digital blackface, but also speaks to a technology that makes appropriation the ...
A remarkable memoir recounts a writer’s struggles with alcoholism and religious faith—and the unsettling ways in which each ...
Neil and Brenda met just days after Neil invented his time machine, which proved to be a handy access pass. They watched the ...
They took the name from the novella “Marigold and Rose,” the final book published by their friend Louise Glück, the Nobel ...
A new biography of the director Frank Capra inspires wonder at his irresistible vision of America and his immigrant journey.
For The New Yorker’s Starter Pack Series, the musician Audrey Hobert shares the films, books, and music that have inspired ...
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